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January 26, 2015
In Hunter’s (Stay) haunting new novel, Jane Standen was a babysitter in her teens when five-year-old Lily Eliot disappeared on her watch. Now, 20 years later, Jane is an archivist at London’s Chester Museum, which is due to close. While doing research on Victorian-era rural asylums, Jane comes across a reference to the Whitmore Hospital for Convalescent Lunatics and a young woman called N, who, back in 1877, disappeared in the same woods where Lily vanished. After a confrontation at the museum with Lily’s father, William Eliot, a botanist who has written a book on Victorian plant hunters, Jane flees to the north of England to find out what happened to N. Her research shows that N’s fate was inextricably linked to that of George Farrington, a botanist whose estate was located near the asylum. Farrington also had links to the Chesters, who founded the museum where Jane works. Jane goes into the woods, hoping to make sense of things. Narrated by a chorus of ghosts and featuring a romance with a hunky young gardener at the estate, Jane’s story is an emotionally and intellectually satisfying journey in the manner of A.S. Byatt’s Possession and Tom Stoppard’s Arcadia. And like those two works’ juxtaposition of past and present, this one movingly dramatizes how unknowable the past can be.
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