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Hope's Boy

A Memoir

Audiobook
2 of 2 copies available
2 of 2 copies available
When Andrew Bridge was seven years old, he and his mother—a mentally unstable woman who loved her child more than she could care for him—slid deeper and deeper into poverty, until they were reduced to scavenging for food in trash bins. Welfare officials did little more than threaten to take Andrew away, until a social worker arrived with a police escort and did just that while his mother screamed on the sidewalk. And so began Andrew's descent into the foster care system—"care" being a terrible irony, as he received almost none for the next eleven years.


Academic achievement was Andrew's ticket out of hell—a scholarship to Wesleyan University led to Harvard Law School and a Fulbright Scholarship. Now an accomplished adult, he has dedicated his life to working on behalf of the frightened children still lost in the system. Hope's Boy is his story, a story of endurance and the power of love and, most of all, of hope.
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    • AudioFile Magazine
      David Drummond's delivery of narrative is straightforward and well paced. In delivering dialogue, however, heartfelt emotions color his reading. In this memoir young Andy is taken from his mother, Hope, when she shows neither the mental nor financial ability to care for him. Drummond's portrayal of Andy has the longing and wistfulness of a son who adores his mother and grieves their parting. In foster homes, Drummond portrays Andy as a good boy, despite his subtle defiance. One foster mother, Mrs. Leonard, is easily enraged, and Drummond's harsh Germanic tones for her character are effectively menacing. He is also spot-on in his characterizations of the social workers who do little to aid the boy's suffering. S.W. (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      October 29, 2007
      In this memoir of a decade spent in foster care, Bridge illuminates the horrors of a system that, in its clumsy attempts to save children, he argues, all too frequently condemns them to physical and emotional abuse. The child of a teenage mother who divorced her abusive husband soon after Bridge was born, he watched helplessly as his mother disintegrated under the impact of isolation and poverty. At the age of seven, Bridge was dragged away from his mother, literally, by police and warehoused in an enormous California juvenile facility patrolled by armed guards. The state eventually transferred him to a foster family dominated by an obese, bullying Estonian woman who had survived imprisonment in Dachau as a child. At 17, as he prepared to leave foster care for college and freedom, Bridge finally had a reunion with the mother he never stopped missing. In his narration of this unending nightmare, Bridge shows particular skill in portraying his isolation and the defenses he constructed to survive it. He also has a talent for grotesques, particularly that of the monstrous foster mother who revisited the misery of her upbringing on her foster children. Bridge’s obsessive focus on his loneliness and his two “mothers” is so intense that a more balanced picture of his life fails to emerge and his attachment to another foster child remains unexplained. Yet Bridge, a Harvard Law School graduate who has devoted his career to children’s rights, has provided remarkable insights into a dark corner of American society.

    • Publisher's Weekly

      March 31, 2008
      Bridge's memoir of surviving his childhood in a broken child-care system where the state acts as parents for the young certainly illustrates the complexity of such government institutions. After being removed from his mother by the state, Bridge spent a brief stint in a residential program before being put into foster care. His decade-long stay with an emotionally abusive and unsupportive family left its share of marks, and the book feels like Bridge's attempt to cleanse the taint of the experience. While it does highlight problems of the system, it fails to be anything more than just another story of an unfortunate upbringing. As the story is told through the eyes of a young boy, David Drummond's soft elocution ably puts readers back into that frame. But this doesn't keep Drummond from juggling the range of ages, genders, accents and personalities of the different characters effectively. Although the story isn't extraordinary, Drummond remains consistent and engaging throughout. Simultaneous release with the Hyperion hardcover (Reviews, Oct. 29, 2007).

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