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I Don't Know How She Does It

The Life of Kate Reddy, Working Mother

Audiobook
1 of 1 copy available
1 of 1 copy available
For every woman trying to strike that impossible balance between work and home-and pretending that she has-and for every woman who has wanted to hurl the acquaintance who coos admiringly, "Honestly, I just don't know how you do it," out a window, here's a novel to make you cringe with recognition and laugh out loud. With fierce, unsentimental irony, Allison Pearson's novel brilliantly dramatizes the dilemma of working motherhood at the start of the twenty-first century.
Meet Kate Reddy, hedge-fund manager and mother of two. She can juggle nine different currencies in five different time zones and get herself and two children washed and dressed and out of the house in half an hour. In Kate's life, Everything Goes Perfectly as long as Everything Goes Perfectly. She lies to her own mother about how much time she spends with her kids; practices pelvic floor squeezes in the boardroom; applies tips from Toddler Taming to soothe her irascible boss; uses her cell phone in the office bathroom to procure a hamster for her daughter's birthday ("Any working mother who says she doesn't bribe her kids can add Liar to her résumé"); and cries into the laundry hamper when she misses her children's bedtime.
In a novel that is at once uproariously funny and achingly sad, Allison Pearson captures the guilty secret lives of working women-the self-recrimination, the comic deceptions, the giddy exhaustion, the despair-as no other writer has. Kate Reddy's conflict —How are we meant to pass our days? How are we to reconcile the two passions, work and motherhood, that divide our lives? —gets at the private absurdities of working motherhood as only a novel could: with humor, drama, and bracing wisdom.
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    • AudioFile Magazine
      Allison Pearson's first novel offers a painful, if hilarious, glimpse into the life of Kate Reddy, harried wife, mother, and successful account executive with a London brokerage firm. Kate carries more on her shoulders than Atlas. Her balancing act between her home life and sudden calls to international conferences makes for mind-boggling overachieving. Narrator Josephine Bailey displays a remarkable range of voices. Children's voices are uncannily real, as are the stay-at-home moms Kate calls the "Mommy Mafia." Her portrayals of the men--husband Richard; Aussie boss; American client and would-be lover; and Winston, the philosophizing Rasta cabdriver--are spot-on. Bailey doesn't try to SOUND male; her attitude BECOMES male. Pearson's observations and Bailey's delivery are achingly accurate. S.J.H. (c) AudioFile 2003, Portland, Maine
    • AudioFile Magazine
      Meet Kate Reddy, mother of two small children, architect's wife, hedge-fund manager for a prestigious international company headquartered in London, and "priority-juggler." Emma Fielding introduces the listener to Reddy's daily roller-coaster routine. Reddy's wit is her saving grace as she deals with the unexpected on an hour-by-hour basis. Fielding is believable and quite charming in a frenetic performance that captures a female executive on the fast track, who, ironically, is unable to disclose her maternal responsibilities to the company she has helped make so profitable. Any working mother who has been told I don't know how you do it will find this story near and dear to her heart. B.J.P. (c) AudioFile 2003, Portland, Maine
    • Publisher's Weekly

      Starred review from September 2, 2002
      This scintillating first novel has already taken its author's native England by storm, and in the tradition of Bridget Jones, to which it is likely to be compared, will almost certainly do the same here. The Bridget
      comparison has only limited validity, however: both books have a winning female protagonist speaking in a diary-like first person, and both have quirkily formulaic chapter endings. But Kate is notably brighter, wittier and capable of infinitely deeper shadings of feeling than the flighty Bridget, and her book cuts deeper. She is the mother of a five-year-old girl and a year-old boy, living in a trendy North London house with her lower-earning architect husband, and is a star at her work in an aggressive City of London brokerage firm. She is intoxicated by her jet-setting, high-profile job, but also is desperately aware of what it takes out of her life as a mother and wife, and scrutinizes, with high intelligence and humor, just how far women have really come in the work world. If that makes the book sound polemical, it is anything but. It is delightfully fast moving and breathlessly readable, with dozens of laugh-aloud moments and many tenderly touching ones—and, for once in a book of this kind, there are some admirable men as well as plenty of bounders. Toward the end—to which a reader is reluctant to come—it becomes a little plot-bound, and everything is rounded off a shade too neatly. But as a hilarious and sometimes poignant update on contemporary women in the workplace, it's the book to beat. Agent, Pat Kavanaugh. (Oct.)Forecast:Knopf is pulling out the stops for this, with a 100,000 first printing and a seven-city author tour; movie rights have already been sold, and word of mouth from early readers—plus ecstatic London reviews—will help stoke interest here in buyers of both sexes; it's a likely bestseller.

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